Division NPCs (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
survivors_of_new_york) wrote2016-06-04 08:15 pm
survivors_of_new_york) wrote2016-06-04 08:15 pm
The Question
In the old days, the James Farley Post Office was the beating heart of New York City's postal services. Now it's the beating heart of a very different system. Day in and day out, the fight to reclaim the city goes on from within it. Patrols go out. Civilians stagger in. Supplies flow in and out like the mail trucks used to do.
It isn't built for holding prisoners like the NYPD's facilities are. But there are enough rooms deep in the bowels of the building that can be adapted for that. A few armed JTF officers stand guard in a constant rotation. No one's risking the prisoners inside getting loose and wreaking havoc. One guard is drumming his fingers nervously on the stock of his rifle.
In one cell: Martinez sits at a table with his head in his hands. He doesn't get up except to pace. He's stayed quiet this entire time, barely even acknowledging the personnel outside. (He asks once, just once, for 'Eric'.) The model prisoner.
In the next cell over: Keller is the opposite. He rages. Slams his fists against the walls until his knuckles bleed and leave streaks. He presses his face against the glass in the door and hurls insults at the guard outside. He knows what's waiting for him on the streets. LaRae doesn't give second chances.
In the last cell: Torch yells over Keller's racket to 'shut it man, we ain't telling them shit'. He doesn't snarl like a caged animal. He doesn't posture at the guard outside. He merely keeps winding Keller up more and more. No sense in starting a fight. He didn't get a chance.
And up at the top of the stairs, Lindianne Parker rolls her eyes. "Jesus. What a racket."
It isn't built for holding prisoners like the NYPD's facilities are. But there are enough rooms deep in the bowels of the building that can be adapted for that. A few armed JTF officers stand guard in a constant rotation. No one's risking the prisoners inside getting loose and wreaking havoc. One guard is drumming his fingers nervously on the stock of his rifle.
In one cell: Martinez sits at a table with his head in his hands. He doesn't get up except to pace. He's stayed quiet this entire time, barely even acknowledging the personnel outside. (He asks once, just once, for 'Eric'.) The model prisoner.
In the next cell over: Keller is the opposite. He rages. Slams his fists against the walls until his knuckles bleed and leave streaks. He presses his face against the glass in the door and hurls insults at the guard outside. He knows what's waiting for him on the streets. LaRae doesn't give second chances.
In the last cell: Torch yells over Keller's racket to 'shut it man, we ain't telling them shit'. He doesn't snarl like a caged animal. He doesn't posture at the guard outside. He merely keeps winding Keller up more and more. No sense in starting a fight. He didn't get a chance.
And up at the top of the stairs, Lindianne Parker rolls her eyes. "Jesus. What a racket."